We’ve lost another giant…RIP Donald Byrd

Donald Byrd 1932 – 2013, written by Billy Jam for Amoeba.com

Since Monday rumors had been circulating via Twitter and Facebook that legendary trumpeter Donald Byrd had passed away but for the past few days none of these reports of the jazz musician and educator extraordinaire’s passing were confirmed and even considered some kind of cruel hoax. However today all those rumors were put to rest when confirmation of Byrd’s passing was announced by the artist’s nephew Alex Bugnon who said that his 80 year uncle had indeed died on Monday, February 4th, adding that for some reason other family members were trying to shroud his passing in secrecy. “I have no more patience for this unnecessary shroud of secrecy placed over his death by certain members of his immediate family,” wrote his nephew. So far the exact cause of death has not been made public.

Born Donaldson Toussaint L’Ouverture Byrd II in Detroit, Michigan in December 1932 Donald Bryd was a one of a kind trumpeter whose work spanned several decades and genres. Byrd was known for not only for his indelible work in jazz (in a career in which he played alongside the likes of John Coltrane, Sonny Rollins, Eric Dolphy, Thelonious Monk, and Herbie Hancock), but also in RnB, soul, and funk. And of course hip-hop fans know his work from the countless times it has been sampled. Large Professor, Organized Konfusion, Black Moon, The Pharcyde, Nas, Public Enemy, Madlib, and Del Tha Funkee Homosapien are among the many that sampled him along with fellow late great Detroit artist J Dilla was who clearly influenced by Byrd: Byrd’s song “Think Twice” (below) was reworked/sampled by Dilla on the Welcome 2 Detroit track “Think Twice feat Dwele.” Furthermore the once popular acid jazz movement heavily built upon its sound via Byrd’s work. In recent decades Byrd was known as an educator lecturing at numerous institutions on music.

via Rappcats.com

Lauryn Hill Speaks

“For the past several years, I have remained what others would consider underground. I did this in order to build a community of people, like-minded in their desire for freedom and the right to pursue their goals and lives without being manipulated and controlled by a media protected military industrial complex with a completely different agenda. Having put the lives and needs of other people before my own for multiple years, and having made hundreds of millions of dollars for certain institutions, under complex and sometimes severe circumstances, I began to require growth and more equitable treatment, but was met with resistance. I entered into my craft full of optimism (which I still possess), but immediately saw the suppressive force with which the system attempts to maintain it’s control over a given paradigm. I’ve seen people promote addiction, use sabotage, black listing, media bullying and any other coercion technique they could, to prevent artists from knowing their true value, or exercising their full power.”

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